A Portrait

In a small room in the vicinity of the stableyard, betimes in the morning, which was ushered in by Mr. Pickwick’s adventure with the middle–aged lady in the yellow curl-papers, sat Mr. Weller, senior, preparing himself for his journey to London. He was sitting in an excellent attitude for having his portrait taken; and here it is.

It is very possible that at some earlier period of his career, Mr. Weller’s profile might have presented a bold and determined outline. His face, however, had expanded under the influence of good living, and a disposition remarkable for resignation; and its bold, fleshy curves had so far extended beyond the limits originally assigned them, that unless you took a full view of his countenance in front, it was difficult to distinguish more than the extreme tip of a very rubicund nose. His chin, from the same cause, had acquired the grave and imposing form which is generally described by prefixing the word ‘double’ to that expressive feature; and his complexion exhibited that peculiarly mottled combination of colours which is only to be seen in gentlemen of his profession, and in underdone roast beef. Round his neck he wore a crimson travelling-shawl, which merged into his chin by such imperceptible gradations, that it was difficult to distinguish the folds of the one, from the folds of the other. Over this, he mounted a long waistcoat of a broad pink-striped pattern, and over that again, a wide-skirted green coat, ornamented with large brass buttons, whereof the two which garnished the waist, were so far apart, that no man had ever beheld them both at the same time. His hair, which was short, sleek, and black, was just visible beneath the capacious brim of a low-crowned brown hat. His legs were encased in knee-cord breeches, and painted top-boots; and a copper watch-chain, terminating in one seal, and a key of the same material, dangled loosely from his capacious waistband.

-From The Pickwick Papers by Charles Dickens